纳妾记 第二季

主要讲述由孙坚饰演的现代法医杨秋池偶然穿越至明朝，凭借自身聪明才智和三寸不烂之舌，顺利升职、加薪，实现屌丝逆袭的故事。

小小飞虎队

　《小小飞虎队》曾获得了大众电视金鹰奖最佳儿童剧奖，飞天奖三等奖等众多奖项。　　几个主要儿童演员此前几乎都没有表演经验，为了挑选到合适的小演员，剧组在京、鲁、豫近40多所学校选择了三万多名孩子。　　故事讲述了抗战时期的鲁南，交通员老吴（果静林 饰）在给山里八路军送情报的路上突遭日军的追杀，在万不得已的情形下他将情报编成两句暗语告诉了正在芦苇荡玩的小主人公：大壮（赵泽文 饰），自此，胆小、笨拙而又“一根筋”的大壮拉上同村的虎子（小叮咚 饰）和小银（胡天阳 饰）踏上了前途未卜的 送情报之旅…… 

老虎队

《军旗飘飘》，由云南金彩视界影业有限公司、浙江力天影视有限公司制作出品的电视剧，由陈健执导，李健，王珂 ，王新军 ，韩宇辰 ，李牵 ，张子君主演。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

傲慢与偏见

《傲慢与偏见》是简·奥斯汀的代表作。这部作品曾多次被改编的电影，本片为英国BBC公司1995年出品。18世纪英国乡间班纳特家有五个女儿，班纳特太太整天焦躁不已，最大的心愿就是将女儿们一个个嫁出去。一...

时空隧道之绝色神探

现代逗比网络作家秦科利用自己独一无二的易穿越体质，回到大清，和先祖神探秦国龙携手破获奇案的故事。主角秦科天生易穿越，借此优势开始写历史探秘小说，瞬间走红网络，吸粉千万。在严峻的行业竞争中，秦科决定写一部小说关于先祖——大清第一神探秦国龙。历经多次误差穿越成功后，发现自己和秦国龙正置身于巨大的危险中。一起看似平常的富商之子奸杀婢女一案，实则潜藏着巨大的阴谋。

惊恐时分

铃木光司·真实的恐怖

《打桩》一向靠歪门邪道赚钱的桥本（中村狮童 饰）偶然在高尔夫球场发现一具老人尸体，未过多久他便想出勾引死者女儿诈骗保险金的主意。《夜光虫》银座某高级俱乐部头牌女招待贵子（芦名星 饰）和几名熟客出海游玩，谁知途中他们的船发生了异样，被困在大海中央。《桧》配餐公司送货员名波启二（山本裕典 饰）从孩童时就被一个奇怪梦境所困扰，某天他在顾客家见到张风景照片，里面的风景遽然和梦中场景一模一样。《黑暗的眼睛》稻垣夫妇家搬来了奇怪的邻居，男主人川濑（武田真治 饰）的夫人终日坐在客厅内一动不动，诡异非常。《出租车》能看见幽灵的出租车司机三井（甲本雅裕 饰）搭载了没穿鞋的女客人详子（佐藤江梨子 饰），后者却不知自己已经死去。《钥匙孔》平凡中年人松浦（八岛智人 饰）受邀前往东京拜会老朋友大石，期间他们不可避免回忆起业已过世的朋友。

美国囧案第一季

Netflix将在9月15日上线《美国囧案 American Vanda》首季，该剧风格是真实罪案纪录片，但其实是讽刺题材，剧中案情指有人在高中向27名教师的汽车喷上JJ图案。在8集的第一季，一位有抱负的学生兼记录片工作者Peter Maldanaldo（Tyler Alvarez饰），调查被指控犯下该恶作剧，并在争议下被开除出校的高中四年级生Dylan Maxwell（Jimmy Tatro饰）。

武林怪兽国语版

屈服？反转？逆套路？这是一个超乎你想象的武林爆笑故事！东厂悬赏价值三万两的奶凶怪兽，让各方异士垂涎不已。一波杂烩大侠们临时组队，做起了一夜暴富的白日梦，古天乐郭碧婷貌合神离、陈学冬欺软怕硬、周冬雨威逼利诱、潘斌龙孔连顺颜值狙击，各路大侠花样百出！到底谁能走向人生巅峰呢？

帕拉迪姆大巴

帕拉迪姆大巴”是巴黎一处著名夜店的名字。影片主人公是上世纪八十年代四位少年时代的好友，讲述了他们组成的摇滚乐队从成名到毁灭的故事。

侦探星鸭

主角侦探星鸭被各种委托调查中发生的意外事件弄得团团转，被怀疑是未解决杀人事件的犯人，同时他也表示“看到了！闪耀的一颗星！”这句经典台词闪现了解决的方法。